Ballet: The Ultimate Expression Of Romantic Imagination

Imagine your legs in whirling from the thin castle of hips to the small tarsal b iodines of the foot, tracing the path of a man helpless in the paradise of love they revolve around the tiny space underneath the straightened tip of hallux to reinstate the eternal truth to love is all, to love is supreme. From the abdomen to the cradle of the neck, all muscles are assure to give support to the flexible rotating limbs. You squeeze some fluid off the buttock until it flattens to the dance of act and strays awayAway? Oh Not in the hands of ignoble men belonging to the immoral orderliness but carried by the wind of romance with steps similar to heroic ballerinas like Taglioni and Cerrito. No one can describe that feeling better. No one can depict the resourcefulness and express it in terms easy to understand than the excellent flexible and portable ballerina with graceful moves, steps and turns that twit the heart of the audience to the land of eternal bliss where romance reigns sup reme.With the solo production of gracious medicine and the body movements on the heroic stage of wonders, from simple demi-plie to complex enchainement, one is swept off the feet, and travel to the ground only to open ones eyes to the reality of the imagination. This is what ballet can. Indeed, it is the ultimate saying of the romantic imagination. If you check out the message on display, the music that dictates and the serene environment that fills the hall, one comes to the finding that if grand opera were a god, it would bow when it sees ballet and exclaims I am great and gracious.I bring music in its serenity and divinity. I fill the atmosphere with the grand performance of musicians, their notes and instruments. I do suffer the imagination of romance in words and music lines but lack one thing the reckon moves and accurate body characters of the ballet dancer the language it speaks is far more reaching than words it creates the imagination in acts eyes can behold, and sen ds the mind into the scene with a leader Is anything left to say? MATERIALS Fiero, Gloria K. The human-centred Tradition, Fifth Edition Volume 5, Chapter 29. Fonteyn, M. (1980). The magic of dance. BBC Books, London